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Why the Redesigned Hyundai Palisade Rivals Luxury Three-Row SUVs

By Dan Rose,

The original Palisade was a breakout hit. It arrived in 2020 as Hyundai’s first serious attempt at a premium three-row SUV and immediately started taking sales from established players like the Toyota Highlander, Honda Pilot, and even some entry-level luxury models. It was comfortable, well-equipped, and priced significantly lower than vehicles with comparable interior quality.

The 2026 Palisade is not a refresh. It is a ground-up redesign, and the scope of changes suggests that Hyundai looked at everything that made the original successful and asked how each element could be meaningfully improved. For families across the NYC metro area who have been waiting for the next generation, the answer to that question is worth understanding.

Bolder Design, Bigger Presence

The new Palisade is visually striking in a way the original was not. The front end features a wider, more assertive grille flanked by slim LED headlights that give it a more premium stance. The profile is cleaner, with sharper body lines and a longer wheelbase that translates into more interior room. From the rear, full-width LED taillights create a distinctive signature at night.

What stands out most, though, is how the Palisade now carries itself with confidence that matches vehicles priced well above its segment. Park one next to a loaded Highlander or a Chevy Traverse and the Hyundai looks like it belongs in a different conversation entirely.

The new XRT Pro trim adds off-road styling cues, including unique bumper designs, all-terrain tires, and rugged exterior accents. It is not a rock-crawling machine, but for families who want a tougher look and the capability to handle unpaved roads on weekend trips upstate, it fills a gap that the original Palisade never addressed.

The Hybrid Changes the Math

The most significant mechanical addition for 2026 is the Palisade’s first-ever hybrid powertrain. It pairs a 2.5-liter turbocharged four-cylinder engine with an electric motor to produce 329 combined horsepower and 339 pound-feet of torque, paired with a six-speed automatic and available HTRAC all-wheel drive.

That output is actually stronger than the standard 3.5-liter V6, which produces 287 horsepower. So you are not sacrificing performance to gain efficiency. Hyundai estimates the hybrid Palisade can travel more than 600 miles on a single tank, which is remarkable for a vehicle this size. For families who take long road trips, whether to the Catskills, the Jersey Shore, or visiting relatives in New England, that range dramatically reduces fuel stops.

  • Power Advantage: The hybrid’s 329 horsepower and 339 pound-feet of torque exceed the V6’s output while delivering significantly better fuel economy.
  • Range Leader: More than 600 miles of estimated driving range per tank means fewer stops on long family trips and lower fuel costs for daily commuting.
  • Smooth Delivery: The six-speed automatic and electric motor integration provide seamless power transitions that feel natural rather than mechanical.

Technology and Comfort That Rival Luxury Brands

Inside, the redesigned Palisade pushes further into premium territory. Available relaxation seats, a UV-C sterilization compartment on upper trims, and second-row captain’s chairs with heating and ventilation create an interior environment that competes with vehicles costing $15,000 more.

The technology suite includes over-the-air software updates, digital smartphone key functionality, and Hyundai’s latest infotainment system with wireless Apple CarPlay and Android Auto. The driver-assist package features Highway Driving Assist 2, forward collision avoidance with junction turning capability, and a surround-view monitor that makes parking a vehicle this size in tight NYC garages far less stressful.

Seating for up to eight passengers is available, and the third row has been enlarged to offer more legroom and headroom than the outgoing model. Cargo space behind the third row has also grown, which is the kind of practical improvement that families notice every time they load groceries or sports equipment.

  • Near-Luxury Interior: Relaxation seats, UV-C sterilization, and premium materials create a cabin experience that rivals vehicles in a much higher price bracket.
  • Smart Connectivity: Over-the-air updates, digital key sharing, and wireless phone integration keep the Palisade current without requiring a dealership visit.
  • Family-Sized Practicality: Eight-passenger seating, an enlarged third row, and expanded cargo space address the everyday needs that define the three-row SUV segment.

If you are exploring the redesigned Palisade and want to see how it fits into your budget with Hyundai’s current zero-down lease programs in New York, VIP Auto Lease can build a custom quote for any Palisade trim and deliver it to your door across the tri-state area.


Contributed by Dan Rose, A Senior Automotive Market and Product Analyst.

Drive the Redesigned 2026 Hyundai Palisade
Hyundai’s flagship three-row SUV has been completely reimagined with a new hybrid option, premium interior, and bolder design.
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How to Drive More Sales from Social Media Campaigns in 2026

Social media advertising has changed dramatically in 2026. Platforms update their algorithms faster, users expect personalized content, and brands compete for the same moments of attention. Yet the opportunity has never been bigger. Social media is now one of the main revenue drivers for businesses of all sizes because it allows you to reach people who are ready to take action. To succeed, you need a strategy that combines precision, great creative work, and constant improvement. When you align these elements, your campaigns can turn simple engagement into real sales.

Sales-focused campaigns

The foundation of strong sales-focused campaigns in 2026 starts with targeting. Social platforms are smarter at identifying user behavior, interests, and purchase intent. This means brands can reach very specific groups who are more likely to buy. Instead of promoting your product to everyone, you can show your ads to people who have demonstrated interest in your niche. Lookalike audiences help expand your reach while maintaining quality. Retargeting allows you to reconnect with users who already visited your website or interacted with your content. When you build your audience with intention, you reduce wasted budget and increase your chances of conversion.

The next essential step is creating conversion-focused content. In 2026, attention spans are shorter, while expectations for quality are higher. Short videos, clean visuals, and simple messages perform best. Your creative has to answer one question: why should the viewer take action right now? This is where strong call-to-action phrases and value-driven messages matter. You want your visuals to capture attention instantly and then guide the user toward a decision. When your content feels like it was made for your audience’s needs, your campaigns naturally perform better. Every piece of creative should support the larger goal of building a social media presence that actually grows, especially when paired with trusted tools such as social media presence that actually grows, which helps brands strengthen their visibility and credibility.

The middle point between content and targeting is where optimization comes in. No campaign can succeed in 2026 without consistent testing and real-time adjustments. Modern advertising dashboards provide live insights on which audiences respond best, what creative formats generate the highest click through rates, and what time of day your ads convert most effectively. Businesses that treat campaigns like experiments always outperform those that publish ads and hope for the best. Even small optimizations can improve sales performance. Changing a headline, refining the audience, or switching to a different video format can produce measurable improvements in return on ad spend.

AI Trends to follow

Another important trend in 2026 is the rise of AI powered insights. These tools allow advertisers to predict which audiences are most likely to take action, which creative will perform well, and where budget should be redistributed. While human creativity is still the core of great marketing, AI gives brands a competitive advantage. It removes guesswork and reveals patterns that are difficult to see manually. When businesses use data correctly, they boost sales and reduce unnecessary spending.

The last step is consistency. Social media sales grow when your brand shows up regularly, not occasionally. Campaigns must be aligned with a long term vision instead of short bursts of activity. The more often your audience interacts with your brand, the more trust you build. Trust then becomes sales. When you post consistently, test continuously, and optimize deliberately, your campaigns transform from simple ads into profit generating systems.

Lithuanian President Visits Maspeth Church Facing Closure

Lithuanian Heritage on Display at Queens Landmark Church

By MOHAMED FARGHALY

mfarghaly@queensledger.com

Lithuanian President Gitanas Nausėda and First Lady Diana Nausėdienė made a rare visit to Maspeth’s Transfiguration Church on September 25, shining a spotlight on a neighborhood landmark that has been a spiritual home for generations of Lithuanian-Americans — and is now teetering on the brink of closure.

The 1962 church, built by Lithuanian immigrants during a time when religious practice was suppressed in Soviet-occupied Lithuania, has long served as a spiritual and cultural hub, the church is renowned for its Lithuanian-crafted artwork and cultural significance, but costly repairs and a dwindling congregation have left its future uncertain. Nausėda, who was in New York to attend the United Nations General Assembly, toured the church at 64-25 Perry Avenue and praised the community’s efforts to preserve its history.

Parishioners and church staff guided President Nausėda and the First Lady through the church, highlighting its Lithuanian-crafted artwork, distinctive architecture, and the historic features that have made Transfiguration a cultural and spiritual landmark for decades.

“Today we visited the Church of Transfiguration in Maspeth, NY. Built by Lithuanian Americans in 1962, when faith was suppressed in Soviet-occupied Lithuania, it reminds us of WWII horrors, forced migrations, and also the fight for freedom, in which the U.S. played a vital role. Grateful for the efforts to preserve this church!” Nausėda wrote on social media platform X.

The visit comes as the church faces significant financial challenges. Repairs to the building, which includes the church structure, a rectory, and a convent now rented by the Lithuanian Catholic Relief Association, are estimated at more than $1.3 million, far exceeding the parish’s budget. Attendance has dwindled to roughly 160 to 200 parishioners on weekends, and the parish struggles to cover the building’s operating costs.

“The president of Lithuania came in today, the consulate arranged for the him to visit transfiguration church, because it has a great history with the Lithuanian people. It was built as a Lithuanian national church, and most of the artwork in it was done by Lithuanian artists, and we’d love to have it preserved,” said Rev. Msgr. Joseph Calise, pastor of St. Stanislaus Kostka Parish, which merged with Transfiguration in 2019.

Calise emphasized the ongoing financial strain and the need for external support to maintain the church. “Part of the conversation was on getting it landmarked. And that causes problems, because the difficulty that we have as a parish is that even if the repair works are done, we don’t have enough people in the congregation to actually sustain the building much longer. There are a lot of costs involved in running the building, and the people coming just there aren’t enough to meet the monthly costs of the building,” he said.

Calise said an ideal scenario would involve an outside organization purchasing the building and converting it into a museum to preserve its Lithuanian art and cultural heritage. “So we really need an outside group, an outside society, to actually just buy the building and the property, have it deconsecrated and make it a museum, or something like that, to preserve the art. That would be the best ideal, ideal scenario if people want to preserve the artwork, because we just don’t know how much longer the parish can sustain itself,” he said.

Calise said he hopes the president’s visit will raise awareness and potentially encourage groups interested in preserving Lithuanian art in the United States to step in. “The reality is, my hope would be that his influence would be in finding some society that wants to preserve Lithuanian art in the United States, and that he would be able to convince them, then to take over the building itself, to just buy the building and the properties and preserve it as a museum,” he said.

The church has long been a cornerstone of the Lithuanian-American community in Maspeth, but parishioners say dwindling attendance and high repair costs threaten its future. Calise said the parish continues to explore options to sustain the congregation and preserve the historic artwork. “There is no denial that it is a beautiful church. There’s no denial that the Lithuanian influence of Lithuanian art is quite clear. So it was an honor to be able to have him and welcome him. I hope he got a sense of both sides of what’s going on, not only the sense of what we’d love to preserve, but also a sense of our daily struggle to keep the building open,” Calise said.

As Transfiguration Church navigates the challenges of dwindling attendance and costly repairs, the visit from Lithuania’s president underscores both the community’s deep cultural roots and the urgent need to preserve a landmark that has stood as a spiritual and artistic home for generations.

Galactic Dreams: A Queens Creator’s Space Adventure

From Maspeth to the Stars, Giakoumis’ Sci-Fi Universe

By MOHAMED FARGHALY

mfarghaly@queensledger.com

A Lifelong native of Maspeth, Queens, Peter S. Giakoumis spent his childhood on the streets of his neighborhood, playing stickball with friends, visiting the candy store on Grand Avenue, and diving into comic books and science-fiction magazines. Those early experiences would later fuel a passion for storytelling that has now blossomed into an ambitious, multi-platform sci-fi project called Galactic Beat.

“As a Queens local, I love Maspeth. It’s just a great neighborhood to be in,” Giakoumis said. “When I grew up, there were kids on the block. We played in the street, played stickball… it was a lot of fun going to the candy store on Grand Avenue, getting comic books and sci-fi magazines.”

That passion for imaginative worlds and stories would guide Giakoumis from his local schools—PS 128 and Grover Cleveland High School—to Queens College, after a brief stint at the Military College of Vermont and spent most of his career as a civil servant. But it was his ongoing love for film, particularly sci-fi, that ultimately shaped his creative career. “I’ve always loved film, specifically sci-fi and adventure,” Giakoumis said. “As I got older, I realized I wanted to explore the medium more seriously, so I studied filmmaking at LaGuardia Community College and later took a certificate course at NYU Tisch on the business of entertainment.”

Giakoumis’ journey into filmmaking began long before he launched XG-3 Films. His love for Battlestar Galactica—the 1978 cult-classic sci-fi series that aired just after Star Wars—sparked a lifelong connection to the franchise and its fan community. Growing up watching the series on first-run television, Giakoumis became deeply engaged with its lore, following both the original and the 2004 reimagined version that honored the show’s roots while expanding its story. That passion eventually led him to co-create Interfleet Broadcasting, a live-streaming show and podcast launched during the pandemic. Named after the telecommunications crew in the Galactica fleet, the program brings together fans, creators, and filmmakers influenced by 1970s and ’80s sci-fi. Since its inception, Interfleet Broadcasting has produced more than 250 episodes, featuring interviews with writers, editors, video creators, and other industry professionals, all united by a shared love for classic science fiction.

Giakoumis credits a long-standing collaboration with his cousin, George J. Giakoumis, an Emmy-winning broadcast professional from Forest Hills, as a pivotal turning point in his creative journey. “George and I would go to the movies growing up and critique them for years,” he said. “I was like, you know what? Either we stop doing this, or we see if we can do better. And maybe we can.” Their shared analytical approach eventually evolved into a creative partnership that became XG-3 Films, a production company dedicated to writing, consulting, and producing entertainment media.

Joining them is Dr. Chris McAuley, an Irish-Canadian bestselling author and video game industry veteran, who Giakoumis met through their podcast. Together, the three formed a team that has now partnered with Glen Eric Larson, son of Glen A. Larson, the legendary creator behind classic TV series such as Battlestar Galactica, Magnum PI, and Buck Rogers in the 25th Century.

The collaboration has led to the creation of Galactic Beat, a story that blends adventure, science fiction, and emotional depth. The narrative follows a widowed father and his preteen daughter as they are recruited from Earth to a distant alien planet. “The idea was, we wanted to emphasize the tribulations that the main character is going through… he has a daughter, and she’s going to school, making friends, and those other avenues that we can explore in the story,” Giakoumis said.

Unlike many independent projects, Galactic Beat is being developed as a full franchise from the start. Contracts have already been signed for an introductory novel with Crystal Lake Publishing, a stand-alone comic book with Scratch Comics, and a tabletop role-playing game with ABC Games, all scheduled to debut over 2026, with a video game expected in 2027. Meanwhile, a television pilot script and episode guides are complete, with the goal of eventually bringing the series to the small screen.

The project reflects the combined expertise of its creators. “You have to know who you’re getting involved in,” Giakoumis said. “Chris McCauley… he is a genius. And my cousin George and I, we’ve always been talking about comic books and TV… If we see things slightly different, we devise a way to compromise and bring it all together.”

“We’re building a universe that spans comics, novels, audio dramas, games, and even the potential for television and film, and my greatest hope is that audiences connect with its heart as much as they enjoy its action and spectacle,” said McAuley.

“Galactic Beat follows the legacy of great TV shows like Babylon 5, Stargate and even Star Trek with themes of hope and determination. I hope our franchise becomes another great series for decades to come.” said George J. Giakoumis, Co-Creator.

Giakoumis also emphasizes the value of community and indie creativity in reshaping the entertainment industry. “Artificial intelligence can be a tool, but you still need stories, you still need productions. Indie creators are important now more than ever. You can do a lot with little and still be taken seriously.”

For Giakoumis, the project represents a personal milestone, demonstrating that a local creator can reach a global audience. “It’s really cool that a local can actually get to where I’m going… Coming from Queens, it’s inspiring. It shows you can be from anywhere and still make it,” he said.

For aspiring creators, he offers a clear message: “What I’m doing, anybody else can do, as long as they take themselves seriously… Find your passion and pursue it.”

Fans can follow updates on XG-3 Films’ Facebook page and Giakoumis’s live-streaming podcast, Interfleet Broadcasting.

NYC Seniors Struggle with Bills, Housing, and Loneliness

Courtesy JASA

Inside the Struggles of NYC Seniors: A Talk with JASA

By MOHAMED FARGHALY

mfarghaly@queensledger.com

A new survey of older New Yorkers highlights alarming financial, housing, and social challenges facing the city’s aging population, according to the Jewish Association Serving the Aging (JASA). The survey found that 40% of seniors are struggling to pay bills, one in four cannot access stable housing, and one in five report intense loneliness.

Staffed seven days a week by experienced social workers, JASA’s Help Center fields over 6,000 calls annually from older adults and their caregivers, connecting them to services including Medicaid enrollment, mental health care, legal support, housing assistance, home care, and community programs.

“We hear from older adults, some in their 80s, who are struggling to pay skyrocketing rent or keep up with rising maintenance and taxes, leaving them facing eviction and the fear of homelessness,”  Meredith Levine, JASA’s Senior Director of Care Management and Information Services said. “Rising food costs force those on limited incomes to stretch their budgets by sacrificing food quality for less healthy items or cutting down to two small meals a day. Many also delay or go without unaffordable home care, leading them to perform risky activities like shopping and showering alone, which puts them at risk for falls. This financial strain extends to caregivers, who struggle to afford ongoing supplies like adult diapers and may find their ability to work impacted as caregiving needs increase.”

Housing challenges are widespread, especially amid a city-wide housing crisis. “Even seniors who already have housing face rising numbers of eviction cases. Homeowners are increasingly targeted by growing scams, such as deed theft and other forms of financial elder abuse that can leave them without secure housing. We also frequently hear from older adults whose physical needs have changed, forcing them to suddenly rethink their living situations when they can no longer safely navigate stairs in walk-ups or their homes,” Levine said.

JASA also helps combat social isolation. “While social connection is not usually the primary reason someone contacts the Help Center, our highly trained staff listen for clues about a caller’s social life during their assessment. Based on their findings, they can suggest specific JASA programs designed to combat isolation, such as JASAChat, which facilitates intergenerational friendships, community programming in our residential buildings, and social activities at our Older Adult Centers throughout the city.”

Caregivers are supported through programs including partnerships with Montefiore’s Einstein Hudson Valley Center of Excellence for Alzheimer’s Disease and JASA’s Caregiver Support Program in Southern Brooklyn. “This program offers support groups, trainings, respite, and supplemental supplies to ease the emotional and financial burden on caregivers,” Levine said.

The Help Center also guides seniors through complex government programs. “Our staff can educate community members on the types of benefits available, discuss eligibility criteria, clarify the differences between programs, and explain the application process. Following this initial guidance, the Help Center connects clients to specific JASA team members who can assist with enrollment through careful handoffs.”

Levine described how the process works: “When someone calls the Help Center for the first time, a trained social worker will answer the phone. Our team makes evaluations on a case-by-case basis. We don’t follow a script or require you to sign forms or give us information you don’t want to share. Instead, when we answer the phone, we listen to your challenges and use our deep knowledge and experience to figure out what you need and how you can get it. If you have to leave a voicemail, it will be returned within two business days.”

JASA serves over 40,000 older New Yorkers annually. “Rather than using scripts or intake forms, our team listens carefully to the circumstances of each caller to ensure the recommended solutions match the problems at hand. To minimize barriers to access, we have expanded our hours to seven days a week and evenings and have staff who speak Spanish, Russian, and English,” Levine said.

For New Yorkers seeking help for themselves or others, Levine said: “The most important thing to know about the Help Center is that you are not alone. The Help Center is a resource any older adult or caregiver can take advantage of, so don’t be afraid to ask for help. The Center can be reached 7 days a week at 212.273.5272, via email at help@jasa.org, or often through Live Chat on the JASA website. Information is also available at https://www.jasa.org/services/help-center. As our lives evolve, it’s critical to know which supportive options are available to you. If you’re in need of support, give us a call – it’s our priority to help you age safely in your home and community for as long as possible.”

Adams Drops Out of Mayoral Race, NYC Stakes Rise

Courtesy NYC.Gov

Adams Exits, Mayoral Contest Heats Up

By MOHAMED FARGHALY

mfarghaly@queensledger.com

Mayor Eric Adams announced on September 28 that he is ending his third-party bid for re-election, narrowing the field in the race to lead the nation’s largest city.

“Despite all we’ve achieved, I cannot continue my re-election campaign,” Adams said in a video posted on social media on Sunday. “The constant media speculation about my future and the campaign finance board’s decision to withhold millions of dollars have undermined my ability to raise the funds needed for a serious campaign.”

Adams, a lifelong New Yorker, rose from a childhood in Brownsville and South Jamaica to a career in public service that spanned four decades. He served as an NYPD officer and co-founded 100 Blacks in Law Enforcement Who Care, later representing Brooklyn in the State Senate and becoming the borough’s first Black borough president. In 2021, he was elected the city’s 110th mayor, campaigning on public safety, equity, and economic recovery.

“Who would have thought that a kid from South Jamaica, Queens — growing up with learning disabilities — could one day become the mayor of the greatest city in the world?” he said.

The mayor touted achievements including record housing construction, a drop in shootings and murders, higher test scores and school attendance, and record job growth. “We lowered costs for working- and low-income families — expanding funding for rental vouchers, childcare, and household costs, while eliminating the income tax burden for more than half a million New Yorkers,” Adams said.

During his tenure, Mayor Eric Adams pointed to progress on public safety, economic recovery, and livability across New York City. His administration oversaw double-digit decreases in murders, shootings and burglaries, removed more than 15,000 illegal guns from city streets, and added 1,000 officers to the subway system, cutting transit crime by nearly a quarter. The city recovered all jobs lost during the pandemic and added nearly 300,000 more, while raising wages for delivery workers and nonprofit employees and launching a $2 billion plan to cancel medical debt. Adams also touted record-breaking affordable housing development, a landmark transformation of Willets Point, expanded child care access, and initiatives to make streets safer and cleaner — from pedestrian redesigns to trash containerization. He framed these efforts as part of a broader push to build a safer, more affordable, and more livable city for working New Yorkers.

But Adams’ accomplishments were often overshadowed by his federal corruption indictment, which — though later dropped by the Trump administration — left a lasting mark on his approval ratings and campaign prospects. Despite repeatedly insisting he would stay in the race, his campaign was hobbled by the loss of millions in public matching funds, poor fundraising, and record-low approval ratings.

“I also know some remain unsure of me after the unfortunate events surrounding my federal case. I was wrongfully charged because I fought for this city — and if I had to do it again, I would fight for New York again,” Adams said.

His exit comes after Assemblymember Zohran Mamdani’s Democratic primary win over former Gov. Andrew Cuomo, who is now running as a third-party candidate. Adams’ withdrawal could help consolidate support behind Cuomo, though his name will still appear on the November ballot because the deadline to remove candidates has passed. Limited polling has shown Cuomo benefiting most from Adams’ absence, though Republican nominee Curtis Sliwa also stands to gain.

Adams acknowledged his departure would reshape the race but pledged to keep working for New Yorkers until the end of his term. “Although this is the end of my reelection campaign, it is not the end of my public service,” he said. “I will continue to fight for this city — as I have for 40 years, since the day I joined the NYPD to make our streets safer and our systems fairer.”

The mayor warned against rising extremism in politics and urged voters to focus on results over rhetoric. “Beware of those who claim the answer is to destroy the very systems we built together over generations. That is not change. That is chaos,” Adams said.

“My fellow New Yorkers: this is your city. Its leaders work for you. I am one of you. My story is your story. I lived the struggle, but I never stopped loving this city,” Adams said. “That is why I ran for mayor — to turn my pain into purpose. And I will keep fighting for this city no matter what, from City Hall or beyond.”

With Adams out, November’s mayoral race is set to intensify, carrying high stakes for New York City’s future as residents weigh questions of safety, affordability, and leadership in the nation’s largest city.

Anime NYC Shows Love for Japanese Culture and Cosplay

Cosplayers dress up as Goofy, Donald, Mickey Mouse, and Sora from the game “Kingdom Hearts.”

The Jacob K. Javits Center transformed into a haven for anime fans, celebrating Japanese culture by indulging in cosplay, creating artwork on their favorite shows and games, and meeting voice actors. The event ran from August 21 to 24 — the first time the convention ran for four days — with over 148,000 people in attendance.

Guests were able to partake in a variety of activities throughout the four days. The convention was divided into a multitude of parts: the exhibitor hall, which featured a plethora of vendors selling exclusive merchandise imported from Japan; the Artist Alley, which had artists displaying their original and fan-made art; and the gaming hall, which included games created by independent artists.

Most notably, fans could dress up in cosplay. A combination of the words “costume play,” fans could dress up as their favorite characters. Some costumes are store-bought, while some are handmade, showcasing the dedication to their fandoms.

“I think [cosplaying] is just a great form of self-expression,” said Cody Ostarnder, a cosplayer based in Queens. “And growing up as a black anime nerd, there was a lot less representation of that. So for me to be able to cosplay and have people like my cosplays, talk to me, and be able to venture into this is really healing that part of me that never felt accepted for the types of hobbies that I had when I was a kid.”

The convention also housed special events, including the second annual American Manga Awards, a first-look at new anime premiering on Netflix and Crunchyroll, and a sold-out concert commemorating 30 years of the anime “Neon Genesis Evangelion.”

Anime NYC, which was created by LeftField Media, began in November 2017, drawing over 20,000 fans. The convention has grown tremendously throughout the years, signifying New York City’s appreciation for anime.

Both cosplayers dress up as Vocaloid artist Hatsune Miku.

Cosplayers dress up as Ken Takakura and Momo Ayase from the series “Dandadan.”

Cosplayers dress up as Goro Akechi and Kasumi Yoshizawa from the game Persona 5 Royal.

Cosplayers dress up as Whitebeard, Luffy, and young Big Mom from the series “One Piece.”

A cosplayer dresses up as a combination of Pikachu from the “Pokémon” series and Venom from the “Marvel” universe.

At the river pavilion, a small exhibition on cosplays was presented.

Anime NYC had over 148,000 attendees this year.

A cosplayer dresses up as Suguru Geto from the anime/manga “Jujutsu Kaisen.”

Cosplayers dress up as Nana and Hachi from the anime/manga “Nana.”

Cosplayers dress up as Asuka Langley Soryu and Rei Ayanami from “Neon Genesis Evangelion.”

Cosplayers dress up as Yor and Loid Forger from the manga/anime Spy x Family.

 

Former Queens Assemblywoman Marge Markey Dies at 83

Maspeth’s Marge Markey Remembered for Lifetime of Service

By MOHAMED FARGHALY

mfarghaly@queensledger.com

Margaret M. “Marge” Markey, a trailblazing Queens lawmaker who championed community causes, elevated New York’s tourism profile, and spent more than a decade fighting to pass landmark protections for survivors of childhood sexual abuse, died Sept. 24 at her home in Maspeth. She was 83.

Her family said she passed away peacefully, surrounded by loved ones.

Markey, a Democrat, represented the 30th Assembly District — covering Maspeth, Woodside, and parts of Middle Village, Astoria, Sunnyside, and Long Island City — from 1998 until 2016. In office, she became known as a fierce community advocate who brought grassroots determination into Albany.

Her daughter, Margaret, said her mother’s entry into public service began long before Albany. “There was a fatality on 69th Street when I was very young,” she said. “My mom went out and gathered all the moms with strollers, whoever she could, and they marched for traffic lights. She kept at it until it got done. That’s just who she was — if she saw something that needed fixing, she wouldn’t let go until it was fixed.”

That determination carried into other local battles. Not long after, she led efforts to save a fire-damaged 19th-century police station in Maspeth, which city officials planned to demolish. Instead, with Markey’s persistence, it was preserved and transformed into Maspeth Town Hall, a nonprofit community center that today offers youth programs, arts, and senior services.

“She was also one of the people who stopped them from tearing down the old police station in Maspeth,” her daughter said. “Everyone thought it was an eyesore, but she kept saying, ‘We can use it.’ And because she pushed, that’s now Maspeth Town Hall. It’s still running today, and thousands of people use it. That’s her.”

Markey’s deepening civic involvement led her to serve as a Community Board member and Democratic District Leader. She later joined the office of Queens Borough President Claire Shulman as Assistant Director of Economic Development, where she helped oversee local business growth and job creation. She then became Queens’ first Director of Marketing and Tourism, launching campaigns that celebrated the borough’s cultural diversity, global cuisine, and festivals — long before Queens earned its now-famous reputation as the “World’s Borough.”

Elected to the State Assembly in 1998, Markey rose to chair the Tourism, Parks, Arts and Sports Development Committee, where she pushed for stronger support of cultural institutions, historic sites, and recreational facilities across New York. She was also active in caucuses, including the Legislative Women’s Caucus, and served as president of the Irish American Legislators Society, reflecting her pride in her heritage.

But the work that defined her career — and legacy — was her advocacy for survivors of childhood sexual abuse. In 2003, she introduced the Child Victims Act (CVA), which sought to extend the statute of limitations to give survivors more time to come forward.

The bill faced years of resistance, particularly from powerful religious and institutional lobbies. It was a battle that took personal courage: Markey, a devout Catholic, often endured backlash from the very communities and leaders she had long worked alongside. Critics targeted her, opponents sought to weaken the measure, and at times, progress seemed impossible.

Still, she persisted.

“She put that bill in year after year, even when everybody told her it wasn’t going anywhere,” her daughter said. “It was tough on her — she was a Catholic, and a lot of people gave her a hard time. But she would just say, ‘I know this is the right thing,’ and she wouldn’t back down.”

The law didn’t pass until 2019, three years after Markey left office, but her family said it remained the work she was proudest of. “It meant so much to her to know it finally got done,” her daughter said. “She fought for that for more than a decade, and survivors finally got a chance to be heard.”

Though she lost re-election in 2016, Markey lived to see her fight come to fruition. In 2019, Governor Andrew Cuomo signed the Child Victims Act into law. The legislation opened a one-year window for survivors to file claims regardless of when the abuse occurred and extended the statute of limitations for future cases — reforms long sought by survivor advocates. Thousands of New Yorkers have since pursued justice under the law.

While her legislative work was often at the forefront, Markey’s family and friends remember her as a warm, curious, and compassionate woman who loved her neighborhood as much as she did the wider world. She cherished travel, especially to Ireland, and loved visiting museums and cultural sites. At home, she was just “mom” or “grandma Marge,” happiest when surrounded by family.

Family members say they will also remember her warmth and curiosity beyond politics. “She loved to travel, she loved art, she loved museums,” her daughter said. “But more than anything, she just loved talking to people. Everybody used to tell me, ‘Your mom really cared about me.’ And it’s true. She really did.”

Markey is survived by her husband, retired State Supreme Court Judge Charles Markey; her children, Charles, John (Endira), and Margaret (BJ); and her granddaughter, Camila.

TikTok Launches ‘TikTok for Artists’ as a Global Music Insights Platform

TikTok has launched TikTok for Artists, a global music insights and promotion platform designed to help artists better understand their audiences and grow their careers with data-driven strategies. After initial testing in countries such as Australia, Japan, Korea, New Zealand, and Indonesia, the platform officially debuted worldwide on June 3, 2025, and is now available in more than 25 regions across North America, Europe, Asia, the Middle East, and Latin America. 

Daily analytics from TikTok

TikTok for Artists provides daily-updated analytics on song and post performance, covering metrics like views, likes, shares, comments, and engagement trends, while also offering valuable demographic insights such as fan age, gender, language, and location. One of its most notable tools is the Pre-Release campaign feature, allowing artists to promote upcoming albums by letting fans pre-save them directly to Spotify or Apple Music, ensuring immediate streaming upon launch. Alongside these tools, TikTok includes educational resources and guides that explain how to maximize platform features and run effective campaigns. The goal is to move beyond short-lived trends and support long-term growth, giving artists and their teams actionable data to connect strategically with fans. 

What industry figures say

Industry figures and artists have already praised the platform as a game changer, highlighting how it transforms music promotion into a more transparent, collaborative, and results-oriented process. Access is available to those with certified TikTok Artist Accounts, who can also grant usage rights to teams and label partners, making it not only a hub for insights but a central ecosystem for managing a career on one of the world’s most influential music discovery platforms.

Woodhaven’s Lynn Pressman: An Amazing Life

Lynn Pressman Raymond was born in Woodhaven and designed the Children’s Doctor Bag for the Pressman Toy Corporation. She was also one of the first female executives running a large company and as President of that company, she banned the sale of any toy guns or rifles.

If you ever played with a toy doctor’s bag as a child, you can thank a Woodhaven native for it. Lynn Pressman Raymond, born Lynn Rambach in Woodhaven, Queens, in 1912, went on to shape the toy industry in ways that still resonate today.

Her family later moved to Brooklyn, where she excelled at Erasmus Hall High School in Flatbush. As a young woman, she launched her career in sales and marketing, working her way up in several major stores, including Abraham & Straus, as a publicist. Her talents soon landed her at James McCreery & Co., a fashionable department store on Fifth Avenue, where she quickly rose to head of publicity.

But her true passion was toys. Drawn to creative, educational products, she also found herself drawn to Jack Pressman, owner of a toy and game company known as “The Marble King” for his enormous purchases of marbles used in Chinese Checkers. The two married in 1942, and Lynn joined Pressman Toys as Vice President.

There, she developed a product that became an instant classic: the Children’s Toy Doctor Bag. Designed to ease children’s fears of doctor visits, it included toy versions of a stethoscope, thermometer, syringe, and even a small bottle of candy “pills.” The bag was a runaway success, spawning variations such as the Nurse Bag and editions for Ken and Barbie.

When her husband’s health declined, Lynn took a larger role in the business. After his passing in 1959, she assumed full control, one of the very few women at the time to lead a major company. She faced barriers, even struggling to secure credit from her husband’s longtime bank, but persevered and became one of the most influential women executives in the nation.

Lynn was also a pioneer in licensing. She secured rights to popular television and film characters, producing games based on Disney favorites, Superman, and The Lone Ranger. She later expanded into sports, licensing athletes and featuring their likenesses on toy packaging.

One of her boldest moves came in the early 1960s, when she announced that Pressman Toys would no longer manufacture or sell toy guns or rifles. At the time, such toys were big sellers, but she stood firm. An outspoken critic of the Vietnam War, she even worked with peace organizations to urge other toy companies to avoid “toys that symbolize destruction.”

Her social conscience also found expression through UNICEF, with whom she partnered to develop Pen Pal Dolls. Inspired by Walt Disney’s “It’s a Small World” attraction, each doll represented a different country and came with stationery and cultural information to encourage global friendship.

Later in life, Lynn enjoyed a second career through her son, Edward Pressman, the acclaimed film producer. She received credit as co-producer of his early cult classic Phantom of the Paradise (directed by Brian De Palma) and even appeared as an extra in several of his films. Edward went on to produce a string of hits including Conan the Barbarian, The Crow, American Psycho, and the Oscar-winning Wall Street.

Lynn Pressman remained active well into her 90s. At age 94, she even appeared as a model in a Juicy Couture ad. She passed away in 2002 at the age of 97, leaving behind a remarkable legacy.

Today, the Pressman Toy Corporation is still thriving, having celebrated its 100th anniversary in 2022. Its catalog remains full of fun, educational toys – and, true to Lynn’s principle, not a toy gun in sight.

So, the next time you see a children’s Doctor Bag, think of the woman from Woodhaven who revolutionized the toy industry, stood up for her beliefs, and led a truly extraordinary life.

Lynn Pressman remained active until her passing in 2002 at the age of 97, appearing as a model in an ad for Juicy Couture at the age of 94 (she’s the model at the far right, with purple hair).

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